In this work I use the last bars written by Mozart in his life. These pass through transformations into various, many times harsh sound images. The original theme keeps returning, which brings interesting confrontations as well as harmonic stabilization. The work arcs from the beginning to the death and return to its own birth. The enhancing element is violoncello solo, which starts and ends the work. It appears also at the crucial moment, which symbolizes the death. There, it brings a gregorian chant of the same name, adapted from my older composition Sinfonia da Requiem.
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